But surely they must have backgrounds, interests, and aspirations - none of which the film bothers to express. Admittedly, the characters are still young. What the script does not do, rather oddly, is lend those protagonists much depth or personality, though the performers themselves are attractive and personable enough. The co-directors’ screenplay is not high in incident, but it does move along briskly, taking advantage of picturesque settings inside and (increasingly) outside of Reykjavik, as our protagonists have a ready supply of vehicles, gas and time at their disposal. (This will also be a likely issue for viewers.) She can’t accept whatever has happened, or their own mysteriously survival, with no apparent purpose or meaning to it. (They’re spared immediate logistical hardships like failed electricity or heat, because Iceland’s energy systems are geothermal-powered - and while animal as well has human life seems gone, Mother Nature is otherwise carrying on as usual.) But Jenai longs for home and family. “At least we’re here together,” Riley says, and for a while they’re able to amuse themselves with hedonism and consumerism that no longer knows monetary bounds. All human activity has apparently ceased, sans corpses or any other proof of disaster to explain it. TV stations have gone off air the internet has remained stagnant since the prior evening. But then it turns out that even the folks back home aren’t answering their phones. At first they assume the populace has been drawn away by some holiday event, or an emergency evacuation. Cars have seemingly been abandoned in the streets shops are unlocked but empty. But one morning after Jenai witnesses some odd lights in the sky during the night, they exit their hotel to find no one around… anywhere. At first they behave like any other tourists, seeing the sights in town, eating out, going on guided walks, etc. Iceland is the place that young American couple Jenai ( Maika Monroe) and Riley (Matt O’Leary) have chosen for their vacation, which is also her first time abroad. Nonetheless, they’ll be held to a degree by the film’s concept, confident execution, and use of beautiful Icelandic locations. Light on plot and explanation, while not perhaps so deep as it would like to think itself on a philosophical plane, this minimalist drama is bound to induce a parting “What was that about?” shrug from many viewers. Why that title? You might as well ask why the central figures here wake up one day to find themselves seemingly the last people on Earth no answer will be forthcoming from this first feature from Geoffrey Orthwein and Andrew Sullivan. So next time you need a film to watch on Netflix, pick one of these 13 options and prepare for some serious LOLs. Either way, you'll likely find yourself absolutely wanting more of these movies that make no sense. Yet that's a shame, because some of these films are seriously entertaining, even if you won't be sure while watching if you think the movie is actually pretty good or just wacky AF. Netflix is full of unique movies that people often overlook when choosing what to watch. Whatever the case, these 13 movies on Netflix are so ridiculous you won't be able to stop talking about them long after the credits roll. Some of these works are silly because they feel far from reality, while others just feature absolutely hilarious scenarios. And mixed into all of the options are a handful of films with ridiculous storylines, movies you can tell from the outset that you're going to totally obsess over. When you're scrolling through Netflix trying to decide what movie to watch, you're prompted with tons of different choices, from low-key indies to Academy Award-winning dramas.
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